Louis Grant

Louis Grant is a queer early career artist whose work seamlessly crosses between studio glass and inter-disciplinary practice. He recognises the importance of traditional craft skills and uses them to push the boundaries of both glass making and contemporary sculpture. Graduating in 2018 with a Bachelor of Visual Art (Honours) from the Australian National University School of Art and Design, Grant works professionally within the Canberra arts community and as an independent studio artist. Grant has exhibited nationally and internationally, been featured in various publications and fabricates the Australian of the Year Awards for the ANU.

 

My practice focuses on glass as a main material to speak of a queer identity, notions of fluidity, instability, care and fragility. Firmly embedded in the technical understanding of glass (from undergrad studies in glass through to ongoing work at Canberra Glassworks and as a technical assistant to senior artists), I work to shift the positions within the discipline and the (traditionally largely masculinised) spaces of production, queering the medium and deviating from what is understood as ‘proper’ form and finish. My practice responds to the discipline of glass – taking the ‘mastery’ of traditional craft beyond a skill set into a subject position to speak of gender and power issues. Glass is a fluid medium that is constantly in a state of becoming, I use this material to speak of social and psychological spaces that can themselves be seen as ‘unstable compounds’. Moving outside of the conventions of studio glass, I produce works that are increasingly testing the relationships between glass and other materials. Often generated from personal narratives, I fashion oversensitive, hyper-fragile entities that are not so much fragile because made of glass, but because of the emotional tumult they’re arranged in and by.

Louis Grant, 2026

Artworks

end to end (trois), 2026

end to end (trois), 2026

cast wax
310 h x 180 w x 170mm d

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'a cityscape we paint in the dark', 2025

'a cityscape we paint in the dark', 2025

reclaimed redbrick, glaze, reclaimed glass, acrylic paint, canvas, wood, Rosso marble, cement, kiln formed and hot sculpted glass
230 h x 360 w x 190mm d - installed

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'do you still love me? I gotta know', 2025

'do you still love me? I gotta know', 2025

hot sculpted glass, Canberra red brick, Rosso marble
285 h x 210 w x 150mm d - installed

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'but I'll pack it up and practice leaving', 2026

'but I'll pack it up and practice leaving', 2026

blown, cast, kiln formed and cold worked glass, white raku ceramic
170 h x 270 w x 230mm d - installed

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'you don't show up in a dream', 2025

'you don't show up in a dream', 2025

blown, hot sculpted and cold worked glass, Canberra red brick, terracotta
200 h x 220 w x 230mm d - installed

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end to end (with storms in my eyes), 2026

end to end (with storms in my eyes), 2026

blown, cold worked glass, reclaimed cement, Canberra red brick, steel cable & fixtures, felted carpet
4000 h x 2000 w x 2000mm d

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heart beats so loud that's it's drowning me out, 2023

heart beats so loud that's it's drowning me out, 2023

hot cast, hot sculpted and cold worked glass
140 h x 140 w x 40mm d

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I'm the problem, it's me, 2023

I'm the problem, it's me, 2023

blown, hot sculpted and cold worked glass
195 h x 86 w x 86mm d

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I cross my heart and hope to die, 2023

I cross my heart and hope to die, 2023

kiln formed and cold worked glass, painted frames (available individually)
870 h x 870 w x 45mm d (installed as group) - 425 h x 425 w x 45mm d each

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I didn't choose this town, 2023

I didn't choose this town, 2023

kiln formed and cold worked glass - wall panels
125 h x 245 w x 25mm d

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'I'm not chasing feelings that I don't understand', 2025

'I'm not chasing feelings that I don't understand', 2025 — SOLD

blown, kiln formed and cold worked glass, reclaimed ceramic
220 h x 310 w x 305mm d - installed

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'is that a dream or a memory?', 2026

'is that a dream or a memory?', 2026 — SOLD

hot sculpted, kiln formed and cold worked glass
215 h x 310 w x 120mm d - installed

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'should've kissed you anyway', 2025

'should've kissed you anyway', 2025 — SOLD

cast and cold worked glass, Canberra red brick, carrara marble
230 h x 250 w x 225mm d - installed

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'the city sounds like gin and tonic', 2025

'the city sounds like gin and tonic', 2025 — SOLD

blown, kiln formed and cold worked glass, Rosso marble
265 h x 220 w x 250mmd - installed

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Exhibitions

solid – Masters of Glass

solid – Masters of Glass

4-28 Feb 2026

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Louis Grant – so I’ll say words I don’t believe

Louis Grant – so I’ll say words I don’t believe

29 Mar - 19 Apr 2023

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Artist Interest

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