Honor Freeman is an artist based in the Flerurieu Peninsula of South Australia whose practice utilises the mimetic properties of porcelain, crafting objects that belie their mate-riality and purpose.
Freeman completed her studies in 2001 at the South Australian School of Art. Following graduation, Honor took up an Associate position and Tenant residency in the ceramics studio at JamFactory Craft & Design. Her work has been curated into major exhibitions at institutions throughout Australia, including the MCA’s Primavera 2007, Tarrawarra Muse-um of Art, and Adelaide’s Samstag Museum. She has undertaken international residencies at Guldagergaard, Denmark’s International Ceramic Museum and in the US at Indiana University’s School of Art & Design. In 2006 Freeman travelled to Chile to exhibit and par-ticipate in the The South Project, continuing her project on/off/on, installing porcelain light switches and powerpoints clandestinely in public spaces. In 2018 she was invited to un-dertake the Guildhouse Collections Project at the Art Gallery of South Australia, the out-come of this residency Ghost Objects, was exhibited in 2019 as part of SALA Festival.
Exhibiting since 2000, Honor’s work is held in numerous public collections including the NGV, Art Gallery of South Australia, ArtBank and Washington DC’s National Musuem of Women in the Arts. Her works feature in the publication 101 Contemporary Australian art-ists, published by the NGV, and the international publication Ceramics Masterclass : crea-tive techniques of 100 great artists, by Louisa Taylor.
Noticing and quietly commemorating the smaller moments that are a constant rhythm of the everyday continues to be a preoccupation in my work. Working primarily in porcelain, I harness the mimetic qualities inherent in clay through the process of slip casting. The works playfully interact with ideas of liquid made solid. The porcelain casts echo the orig-inal objects; the liquid slip turns solid forming a skin, and becomes a precise memory of a past form. A ghost.
Honor Freeman, 2021